Quadrature’s work combines art, science and technology. A recurring theme is the cosmos as a space for collective hopes, imagination and scientific discovery, but also as a setting for political power plays, increasing privatisation and capitalist exploitation.
In their practice, they combine critical perspectives, scientific precision and artistic freedom. Collective working and thinking are at the heart of their activities. Whilst, as Quadrature, they enjoy collaborating with other artists, designers and academic institutions, they have also lived and worked within communal structures in their private lives for many years.
Juliane Götz and Sebastian Neitsch met during their studies at the Burg Giebichenstein University of Art and Design in Halle. They have been working together as Quadrature since 2015. The duo sees technologies as a means of reading and writing realities, as formative and formable tools that shape material, social, political and ideological structures and worldviews. Data often serves as their primary artistic material in this context.
Their work ranges from digital visual worlds and large-scale projections to kinetic objects. It is characterised by a minimalist aesthetic that balances visual beauty with unsettling themes. Their projects invite to understand technology not as a given constant, but as a dialogue between the individual, the machine and the environment. Their artistic research has received numerous awards – including grants from the Kunstfonds Foundation, the Akademie Schloss Solitude, the Hertz Lab at ZKM Karlsruhe and the Schaufler Residency at TU Dresden.